We're
used to the fact that every movie ad and trailer looks exactly the
same. That's why we don't even notice that the entire process of
movie marketing is pretty much back-asswards.
Or maybe
filmmakers, even of the rich big-budget variety, are too sincere to
even realize what they've got on their hands. They are too busy
shaping their art to give thought, while the movie is being made, to
the fact that the movie eventually has to be sold.
Imagine
you're producing a potential blockbuster movie. You've got a few
big-name actors attached. These people aren't just the biggest thing
in movies; they're also the hottest commodity in advertising. They
are worth millions just for a 30-second clip of them chugging a soft
drink. They each have a million Twitter followers and a legion of
fawning gossip junkies who will hang on their every word. They are on
set for hundreds of hours, filming their scenes. Then...
they go home.
Months
later, a marketing department is looking at film footage, thinking,
"How do we make a commercial out of this crap?" Meanwhile,
the world's greatest attention-grabbers are long gone.
Just to pick a random celebrity endorsement, the first recent one that
comes to my head is Salma Hayek for Burger King. Not a particularly great or horrible ad. But if fast food were
marketed like movies, their commercials would be
directionless. You'd simply film a celebrity eating a salad, then
come back to the footage months later and say, "Huh. What do we
do with this?"
With a
little forethought, movie advertising might have more options than a
montage of film clips accompanied by "Solsbury Hill" (even
though that's an EXCELLENT freaking song).
In this
video from the 2012 Florida Film festival, New Think's Janet Lyons
and Mike Campbell detail some advertising strategies from the movie
Insidious. Without big-time
stars or a big-time budget, the movie received an enormous return
from the use of B-roll, interviews, online storytelling, interaction with fans, and footage that was never intended to
be part of the movie. The additional content was created as marketing
content. Skip to around 38:28 for the most on-point section.
Your
favorite movies are probably not something you enjoyed in isolation.
You watched them with friends, discussed them, referred back to
them. You may have dressed up as a character for Halloween. Maybe
certain movies remind you of a poignant moment in your life.
As
someone who likes to play poker, Rounders
is one of my favorite movies. I enjoy watching it. But just as
importantly, it's a great conversation-starter among poker players.
It drives social interaction.
What
makes Star Wars such
an enduring film franchise? It's more than just a few hours of
fossilized film from the '70s and '80s, followed more recently by
universally-loathed CGI-fests. The series is kept alive by fans who
still, to this day, debate the movies and create fan fiction.
Why
simply make a movie and then hope for the social phenomenon to happen
after its release? Why not create additional material simultaneously
with filming, or at least before release? Give movie fans something to
talk about. Give them a chance to interact with filmmakers or stars.
Let them tell their own stories; after all, they want to be famous too.
Because
the best hit movies are really social experiences, movies are the
perfect material for social marketing!
But
then, you could just make a montage trailer and hope for the
best. Your choice.